Stanley Townsend, Daniel Mays and Hayley Squires round out a cast in which the women get little to do
Ruth Wilson shines in the Eugene O'Neill classic, but this three-hour-long adaptation does fall victim to a lack of variety
Yaël Farber’s adaptation keeps the audience ‘gripped throughout’
Anya Chalotra and Luke Thallon delight in this ‘Eastern Bloc Shakespearean tale’
Marina Carr’s drama features a ‘jaw-dropping’ lead performance, but is somewhat let down by its ‘unrelentingly pounding’ subject matter
Shouts, snatches of song, and sudden clashes of cymbals keep everyone on edge
Yaël Farber’s star-studded take on the classic is elegant, but ‘both its visual beauty and horror are overexposed’
Adrian Lester and Danny Sapani shine in Lolita Chakrabarti’s play, which was live-streamed over a four-day run
Rupert Goold’s reprisal of Mike Bartlett’s family drama ‘does not have a single chink in its armour’
John Webster’s early 17th century classic is an ‘object lesson in the iniquity of restrictions on a woman’s sexual conduct’
Robert Icke’s third collaboration with Juliet Stevenson, and his last outing as the theatre’s associate director, is ‘impeccable’
This stage adaptation of the iconic Danish film is ‘slick, clever and near faultless’