Posts by Gabriel Wilding
Hopes & Fears, Arcola Outside, stage review: ‘Beauty buried in pain’
An opera that faces up to its difficult subject matter ‘all pipes blasting’
Read MoreSingin’ in the Rain, Sadler’s Wells, stage review: ‘Hollow aftertaste that even 6,000 litres of water can’t wash away’
‘Feel-good escapism’ that fails to capture the magic of the original film
Read MoreAnything Goes, Barbican, stage review: ‘Bobbing on the waves of theatrical genius’
Sutton Foster delights in a reimagining of the 1930s classic that feels ‘as fresh as a sea breeze’
Read MoreThe Game of Love and Chance, Arcola Outside, stage review: ‘A riotously good show’
An enjoyable romp, despite views on class and love that are ‘still solidly in the 1700s’
Read MoreThe Flying Frenchman, Newington Green, food review: ‘Who better to trust with French food?’
The restaurant’s expert staff produce a stunning evening of food and wine that’s ‘not too taxing on le wallet’
Read MoreSchnitzel Forever, Stoke Newington, food review: ‘It’s as if Vienna flapped her wings and landed in Hackney’
The Church Street restaurant has schnitzel in ‘almost any configuration your little greedy heart could think of’
Read MorePasso, Shoreditch, food review: ‘Exceptional service but less-than-exceptional food’
The beautiful setting and friendly staff are sadly let down by ‘so-so’ dishes
Read MoreBreakin’ Convention, Sadler’s Wells, dance review: ‘Adaptable, astounding and delightful’
The inspirational festival of hip-hop returns to the stage and lives up to its name
Read MoreAll’s Well, Mare Street, food review: ‘A cornucopia of flavour, fun and sustainable frolicking’
Chef Chantelle Nicholson’s pop-up offers a ‘delicious and planet-friendly evening’
Read MorePersephone, Hoxton Hall, stage review: ‘Overly ambitious but spirited’
Set outside in a community garden, the actors shine amidst the spring rain
Read MoreShirley Collins, Live from the Barbican, music review: ‘Long live the queen of folk!’
The singer, accompanied by the Lodestar Band, doesn’t disappoint in her long-awaited return to the stage
Read MoreOverflow, Sadler’s Wells, dance review: ‘A moving, breathing piece of creativity’
The Alexander Whitley Company produces a boundary-pushing show that is ‘more a total experience of art’
Read MoreEnglish National Ballet – Reunion, Sadler’s Wells: ‘Ballet is back and in a big way!’
The renowned company performs five pieces that are ‘imaginative, danced to perfection and unique’
Read MorePaul Weller, Jules Buckley & BBC Symphony Orchestra, Barbican, live music review: ‘I’m now a full-blown Weller wannabe’
The Modfather and a few special guests bring ‘new facets to his already multifaceted oeuvre’
Read MoreLSO/Rattle: Das Lied von der Erde, Barbican, live music review: ‘Poignant journey from misery to hope’
A ‘glittering’ performance of ‘earth-shatteringly beautiful’ works by Austrian composer Gustav Mahler
Read MoreThe Sorcerer’s Apprentice, Southwark Playhouse, stage review: ‘A pleasant if not particularly original experience’
Despite leaning on a few tired tropes, this reimagining of a popular German fairytale offers ‘old theatre magic aplenty’
Read MoreHymn, Almeida Theatre, stage review: ‘Writing at its most perceptive’
Adrian Lester and Danny Sapani shine in Lolita Chakrabarti’s play, which was live-streamed over a four-day run
Read MoreGood Grief, Original Theatre Online, stage review: ‘Tasteful exploration of our capacity for regrowth’
Blurring the line between a play and a film, this unique portrayal of loss is ‘sharp and biting’
Read MoreBreakin’ Convention – Social DisDancing, Sadler’s Wells, stage review: ‘A celebration of local culture and resilience’
This condensed version of the annual hip-hop festival, performed in December before restrictions tightened, has ‘an overarching message of hope’
Read MoreShabaka Hutchings and the Britten Sinfonia, Barbican, music review: ‘Jazz’s untamed spirit resonates in 2020’
Hutchings’ ‘dazzling’ clarinet, backed by the talents of a chamber orchestra, is ‘transcendent’
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