The restaurant makes a triumphant return to permanent digs with some ‘fresh magic’
Delays and awkward stand-offs put paid to an evening that began with promise
Daniel Evans’s ‘thoughtful’ adaptation of the Rodgers and Hammerstein classic brings it elegantly into the 21st century
Peter Morgan’s masterpiece ‘deconstructs what patriotism means to Russians’
Luke Findlay’s permanent venue is a ‘winner’
There’s an impressive buzz around Louis Korovilas’s new venture, but it’s missing some individuality
Jeremy O. Harris’s play has ‘undeniable beauty and skill’ but it is ‘simply too long and too busy’
The restaurant on a converted barge is ‘well worth the expense’
Despite a few ‘odd creative choices’, the classic opera’s ghoulish nature remains
Another example of why the Barbican’s pairing of popular music stars with classical orchestras works ‘so sublimely’
Canadian conductor Hannigan shows why she is ‘such a unique force in classical music’
The late Bausch’s 1970s piece is still ‘theatrical gold’, even if the gender politics is outdated
