After returning from a critically acclaimed world tour, Carlos Acosta and his cast light up the stage with new and existing work
Choreographer Emanuel Gat creates ‘beauty in chaos’ in this collection of pieces
Kimberley Sykes’ take on the Shakespearean comedy feels ‘novel for the sake of it’
Bryony Lavery’s adaptation of the bestselling novel shows ‘once again that theatre has a magic like nothing else’
Maxim Gorky’s dark comedy about power and greed, adapted with aplomb by Mike Bartlett, ‘rings as true today as it did in 1910’
Theatre of Nations brought Anton Chekhov’s first full-length play to London in its original language – but subtitling issues resulted in confusion
The Olivier Award-winning company’s latest show, REDD, deals with grief and betrayal, but ends up feeling ‘flat and emotionless’
Akram Khan’s interpretation of a classic is ‘utterly magical to behold’
Robert Icke’s third collaboration with Juliet Stevenson, and his last outing as the theatre’s associate director, is ‘impeccable’
Director Timothy Sheader’s fresh take on the classical Lloyd Webber musical ‘enthralls, appalls and innovates’
This stage adaptation of the iconic Danish film is ‘slick, clever and near faultless’
OperaUpClose’s new production of Donizetti’s classic is ‘rich and heartbreaking’
